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In Knockemstiff, Ohio and its neighboring backwoods, sinister characters converge The story of Helen Reddy, who, in , landed in New York with her three-year-old A year old Missouri teen named Veronica discovers she has gotten pregnant, a development When the Emperor of China issues a decree that one man per family must serve in the Pulp Fiction Stream and Watch Online.
TMDb Score. R 2 hr 34 min Sep 23rd, Thriller , Crime. Quentin Tarantino. John Travolta as Vincent Vega. Samuel L. Jackson as Jules Winnfield.
Uma Thurman as Mia Wallace. Movies Like Pulp Fiction. With the help of a German bounty hunter, a freed slave sets out to res Spanning the years to , a chronicle of the fictional Italian Heroin addict Mark Renton stumbles through bad ideas and sobriety atte While serving time for insanity at a state mental hospital, implacable I have tended to watch Tarantino's films but keep asking myself why this or that was popular or acclaimed.
Scorsese at least tended to make films, albeit violent, that sprang from his Italian background and actual events but Tarantino just seems to like violence.
Could Tarantino do the same? We can't know because he doesn't show any inclination to do so. Very excellent commentary. Pondering as M.
Mark always kicks off a point we chase to catch and hopefully catch to carry on to the goal Look at the movie Casablanca. There was a reality familiarity with the expat life, an informed adeptness to construct a drama of cultures and scenes abroad with the real dramas of life and death and - overwhelming to the individual - of the juggernaut of the time, the German tyrannical regime.
The question posed: do the expedient thing to survive for the moment or rise to greatness? The apparently mundane, the apparently small, makes cosmic decisions for good or for bad.
This story will remain timeless as every generation will face the same, by another name and people. But U. Numerous commentators here have noted a disconnect that seems to be age-defined.
If one has been raised on a diet of television and movies, then it seems ironic? Not sure of the appropriate word - but it's even more shallow and useless than the media on which it's based.
It's the difference between eating steak and cotton candy. The purpose is to play on That's worthless, a complete disconnect from real life where important decisions of good and evil are made daily, large and small.
An older generation can't engage in such films, the younger perhaps briefly, but uselessly entertained on a passing triviality.
It can't be any kind of genius to make 'plays' on artificial cinema constructs - it's actually utterly lazy and empty.
Sorry for the mess of grammar, hope the point gets across reasonable intact. And that "real familiarity" stemmed from the fact that many in the cast were in fact expats.
Those tears during the singing of the French anthem were real. But "Casablanca" is a movie for grown ups. Today "grown ups" seem to prefer superhero crud.
Thank you for explaining why "Casablanca" is one of those movies that I can watch again and again and again and enjoy as much the during tenth or eleventh viewing or more than the during the first or second.
What makes art great is its references to real life, not to other art. Real life is the genre where most of are stuck in most of the time; not everyone lives their lives in front of a TV or in a movie theatre.
I was dozing through the latest Spiderman movie until there was a reference to the "Department of Damage Control". When it comes to cobwebs, immobility, and stringing people along, only a government bureaucracy can rival Spiderman.
That reference to reality got me chuckling, but I wouldn't watch the movie again. Also an another example of the utterly profound difference between two cartoon movies that in one of the peculiarities of Hollywood came out - what are the odds of two computer-animated movies about ANTS in the same year?
Like the odds in the same year of of two Scottish movies, the odds of two Mars movies One, 'Ants' was a dark, dystopic violent comic populated by dreary shallow stereotypes - including innocent Patton, who if anyone cared to read his bio or autobio would know he was nothing the media made him out to be.
The film, 'Ants,' to unsuspecting audiences' shock, was truly a bloody, nasty, ugly expensive cartoon movie with very high-paid famous actors' voices.
What parent suspected 'Ants' wasn't any sort of cartoon film to take children to? It left a lingering nasty unease in the gut for adults, not the least that they'd been tricked.
It was so awful and empty, when the other ant cartoon, the Pixar, 'A Bug's Life' appeared in cinemas, one hesitated to go see it. But what a gem!
Unlike the gloomy lecture of 'Ants, bright and funny 'A Bug's Life' is a masterpiece comic blend of the ancient story moral of 'The grasshopper and the ants' updated to 'The Magnificent Seven' a classic western cowboy flick that had actually been taken scene by scene based on a Japanese film, 'The Seven Samurai' - add what if - Hell's Angels bandits and traveling circuses.
The characters are true to human nature, quirky, fallible and familiar. Venture to say that no director of the likes of Tarantino and his pack who don't venture outside of film memes du jour has ever approached the brilliance of the fresh mashup of a few thousand years of one classic fable and a pot of modern popular films found in 'A Bug's Life'.
Time will tell, see which stands the test of time. I am as indifferent toward Quentin Tarantino as he was toward Harvey Weinstein's victims, but thought I'd chime in to suggest that, if movies are a matter of taste The Maltese Falcon is one of my favorites which I've probably seen 20 times , then the movie review can be enjoyed as a matter of the reviewer's taste.
If you're coming out of your shoes to lambaste a review of a movie you like, aren't you doing to the reviewer's tastes what you feel done to yours?
I like to read good movie reviews even if I don't agree with them. The late Roger Ebert's views on a lot of things were so different from mine that I wasn't looking for agreement; I was just looking to read how well described parts of the movies were as he saw them, and to understand his viewpoint.
The same for John Podhoretz, a brilliant writer whose reviews I enjoy reading whether he shares my taste or not.
I will now amend my statement to excoriate myself for throwing water on an entertaining clash of passions and a rousing defense of territories, and above all, the sacred expression of everyone's opinions.
I've always liked Pulp Fiction, and Reservoir Dogs for that matter. That's probably because I have never viewed film as art, but as entertainment.
As entertainment both of these films work for me, so I guess it's just a matter of taste. For instance, one of the most infuriatingly bad movies I have ever seen is The Maltese Falcon.
I say infuriatingly bad because I've been told my entire life by people who are supposedly able judge these things for me what a classic film it is.
My wife and I watched it once because we both like Humphrey Bogart and because it is supposed to be one of those must watch classics, or so say the critics.
Well, for my part, I found the story idiotic and the performances, particularly by Bogart, so wooden that they could have been delivered by a cigar store Indian.
But like I said, if you look at it as entertainment it's simply a matter of taste. When I read a review that pans a movie, such as this one, I am reminded of a man I know named Steve.
Steve is a fellow who collects wine, lots of wine and just holds on to it, for years. I once had a conversation with Steve about wine.
I told him that I'm not much of a connoisseur, so I just drink what I like. Steve's response was to tell me that I can't know what I like because I don't know what is good when it comes to wine.
Steve's point was that I need people like him to tell me what I should and shouldn't like because they are the arbiters of good and bad.
I look at movie and music reviewers like I look at Steve. Thanks for the advice, but I'll keep watching the movies I like while I drink the wine I like.
So there Mark and Steve. It's actually quite good, imho. I can't recall whether I've ever reviewed it, but I've seen it several times, and I do like early Hitchcock, so maybe we'll do something on that period of his one of these weekends.
The 39 Steps and The Lady Vanishes are imo among his finest works -- of film as artistic entertainment. Having put it off as long as I could, I finally went to see it in a packed theatre with my then-boyfriend.
Just before the character said, "And he put the watch Anyone who has seen more than 10 films, and read a few books, can't possibly find this movie "innovative" or "profound.
The diner is something out of JG Ballard. While Tarantino turned it up a notch, that "innovative" narrative structure was first used, I believe, in "Dead of Night" although I welcome nominations for earlier examples.
There's some "La Jetee" in there, too. The "record collection" soundtrack is something Scorsese first did in "Mean Streets".
Except Scorsese's taste in music is far better. I still don't understand what's "funny" about "Royale with Cheese.
Again, Tarantino's ingenuity was applauded: Imagine! An alternative history in which Hitler is assassinated!
Yes, who would have conceived of such a thing—except, of course, the odd folks who tried to assassinate the guy in real life, and the untold tens of millions who've fantasized about it from around up until, say, this morning?
The two best things Tarantino ever did was popularize Jackie Chan, and the screenplay for "True Romance. I was flabbergasted at her mirror mimicry of Etta James on "At Last.
I steer pretty clear of these Mimes because I revere the real things -- the Originals. I was stunned mouth hangs open at the phrasing that was pure copycat, a word-for-word, syllable-for-syllable imitation of a truly natural singer such as Etta James.
She started out with Destiny's Child; now she's destiny's mother. She packs 'em in though! But there is no originality, unless it's more obscenity on display or obscene perversion of the past.
I think the last 20? Adele sounds like Wynonna sister of Ms. Ashley the Unhinged with more vocal pain, and with varying accents depending on the demographic targeted.
A few years ago I heard this Taylor Swift person being played in the aisles of Michael's store. I mentioned the event to my adult son.
He said, "My condolences. I agree that the screenplay for True Romance was good, as was the film itself, helped by a really great cast of fine actors.
And the lead actress's outfits were as stylistically influential on my generation as Faye Dunaway's were in "Bonnie and Clyde.
Damn Boomers I am now too old to pull off the "leopard skin coat and Chucks" look but don't think for a moment I don't consider trying once in a while.
I'm sure Michael Buble is a very nice young man. And yes, he can sing. But all his recordings would be greatly improved if somehow each song ended 30 seconds in with the ghost of Frank Sinatra beating him about the head and neck with the nearest solid object.
Kathy wrote But all [Buble's] recordings would be greatly improved if somehow each song ended 30 seconds in with the ghost of Frank Sinatra beating him about the head and neck with the nearest solid object.
My CD storage boxes are filled with gems from the s till Motown or so. If you want to hear a real soul singer, try Marian Anderson.
I was very conversant about the Mills Brothers while my peers were going nutz over the Allman Brothers.
I've always been out-of-touch with the s and proud of it! My programmed stations on satellite radio jump that decade completely.
They stop with the s. A large part of the problem -- as Mark points out in his wonderful but brief musical history of Bing Crosby -- is the songwriting.
Or lack thereof. Same with screenplays. This comment is a bit "off-track" from my reply about the golden oldies, but I used to listen to that music on a brown box bakelite radio, probably from the late s, up in the attic a safe place we all could use.
It took a while for the tubes to warm up, but I think the tubes were a contributing factor to the sound quality.
I think those radio tones were warmer than the ones coming from the analog transistor radio and now from digital satellite radio.
Maybe just the mid-tones were that way; perhaps the range of those tones was more distinctive because of the speaker.
The vinyl vs. I've happily followed Steyn's political commentary for years but never once read a movie or song review of his, for the same reason I stopped reading reviews by anyone years ago - no matter who writes them, they are inevitably boring, tedious.
I'm sorry to myself that I broke my rule and read my first Steyn review, that of Pulp Fiction. I'm sorry not just because all of the above was confirmed yet again, but because to my horror I realised that Steyn is actually a tight ass snob.
But I still like his political commentary. I think Mark's review is spot on. Quentin Tarantino has made a career of making films with ludicrous amounts of violence and mayhem and then decrying it in his personal life.
He prides himself in the most vulgar of movies then wonders aloud why society is vulgar. Good riddance to bad rubbish..
Time to take out the trash in entertainment Looking forward to his next film where he tries to make amends for his shame Maybe it will be about a white christian southern gun loving republican who is serial rapist His review is snearing at flyover country - just like the establishment does.
Oh those vulgarians have such bad taste, how dare they enjoy a movie that is so common! Well not all of us like to unwind by listening to show tunes from the 50's.
I don't think Quentin Tarantino is anything to do with "flyover country". Certainly The Hateful Eight was a big flop there. Tarantino is speaking out now because Harvey Weinstein can no longer further or now hurt his career.
I hope there will be video available of your "gentlemanly" acceptance speech and of Kellyanne Conway's and Tammy Bruce's appearances.
You will in the company of many impressive and successful women. I enjoyed the unique creativity of Pulp Fiction but I also agree with James Wood's comment about it being "entirely stripped of any politics, metaphysics, or moral interest.
But they seem to be in increasingly short supply or buried among the heaps of trash coming from Hollywood. I don't think any discussion of Pulp Fiction would be complete without at least commenting on what Tarantino clearly intends to be the moral message of the movie.
I'm talking about the theme of redemption. Travolta gets into serious trouble three times in the film shot at in the apartment, messing up the car, Uma overdosing , and through either luck or grace, manages to come through okay.
In spite of his partner preaching to him that God is telling him to reform his ways, he fails to reform, and winds up out of chances.
Willis does a good deed of sorts, and he not only lives, but doesn't have to live his life on the run from Mr. Big anymore.
As for the diner thieves, they are given a reprieve, and the movie ends with the open question of whether they will reform their ways, or die.
Now you don't have to like this theme as presented, and you may say it's all an excuse to present what would otherwise be crap, but I think it's clear that Tarantino intended this to be the message.
He clearly says this through the mouth of the reformed Jackson a number of times. There's another "triplet" giving structure to Pulp Fiction -- in each of the film's three interconnected storylines, a man who kills for a living is forced by circumstances to save someone else's life.
Yes, and then we had to sit through movies and TV shows about "redemption" for the next 15 years. And I see no real life evidence to suggest this has been helpful.
Oh, and Tarantino's "innovative" dialogue about trivial things? The pilot of "Cheers" features the main characters debating "the sweatiest movie ever made.
What has been even worse, Kathy, is the fact that Tarantino opened the door for Nihilism to be celebrated. You find it everywhere in film and television — senseless acts of all kinds that seem to say: 'Life is nothing special'.
I enjoyed Pulp Fiction quite a bit. And yes, Carol, I'm too young to be a boomer, by just a little bit. But I also really enjoy reading Mark's thoughts, as well as those who've commented, as each sees things I didn't, and for that I thank all of you.
I never picked up the timing of the bathroom trips at all. I will say, I hope none of you are ever forced to sit through Jackie Brown. I went to see that while bored on a free afternoon on a business trip.
That's a few hours I'll never get back. I'm not even sure the movie is over yet, over 20 years later I loved Jackie Brown. I liked the measured pace and use of mature actors.
But each to his own i guess. And the JB ending is truly bittersweet? Pulp Fiction is not entirely vacuous or devoid of moral interest as James Wood stated all Tarantino films to be; a proposition which you seem to agree with.
Rather than cavil with you over whether there is a moral dimension to Pulp Fiction, I'd be interested in your views on Tarantino's "Jackie Brown" or you publishing or republishing a review of it.
I find "Jackie Brown" to be the most beautiful, moving, plausible cinematic love story ever created. Tarantino took Elmore Leonard's crime thriller novel "Rum Punch" and made it so human and real one could forget it is fiction.
The movie is made all the more powerful by two factors: firstly, the unlikely pairing of the Don Cherry Robert Forster and Jackie Brown Pam Grier characters and the highly unusual, yet prosaic, circumstances under which they meet; and, secondly, the way the movie depicts Don Cherry's growing feelings for Jackie as she cleverly uses him to achieve her goal of saving her own life from her grotesque, yet believable, criminal boss - Samuel L Jackson.
The poignancy of the Cherry-Brown relationship is masterfully subtle. That what becomes a mutual love between Cherry and Brown is never openly stated and never progresses beyond the single, tender, chaste moment as she graciously accepts his reluctant declining of her invitation to permanently accompany her to Spain makes the movie the polar opposite of a schlocky Hollywood love story.
The obvious immediate unstated regret Cherry feels over his decision to let Brown go as he answers the phone to return to the occupation he has made quite clear he is thoroughly weary of could not fail to emotionally engage any man who has made the wrong decision in relation to a woman and lived to regret it.
The title of the movie could be "Regret". And the soundtrack is sensational. Jackie Brown is Tarantino's masterpiece.
You took the words right out of my mouth — no need to add any more, except to say that Mr. Tarantino is a first-class, slimy creep, who had one spark of Genius that he used to make this film.
I too like Jackie Brown a lot and Tarantino has to get some credit for making a good movie, but it would not have been possible without Elmore Leonard RIP Had Tarantino tried to write the movie without Leonard's source material I have no doubt it would have been as vacuous as his other works.But I also Long Riders enjoy reading Mark's thoughts, as well as those who've commented, as each sees things I didn't, and for that I thank all of you. Newsletter Subscribe to our newsletter. If Reservoir Dogs was Tarantino's quarter-pounder — spare, clean, plenty of beef — Pulp Fiction was his Big Kahuna Burger: same basic design, but overlaid with novelty fruits. Pulp fiction hd full movie watch online Pottermore Test download utorrent. We can't know because he doesn't show any inclination to do so. Rating: 8.